The Witch of Edmonton by Thomas Dekker
My rating: 4 of 5 stars
A play full of ambiguities. To what extent is the titular witch created by the prejudices of her community? How much agency does she really have? She is both a scapegoat and a revenger. The play revels in the fascination with witchcraft while at the same time portraying Mother Sawyer as a victim. Both her and Frank Thorney are pressured into doing evil by the fraught economic circumstances they find themselves in. Both get sent to the gallows, but while Mother Sawyer goes out cursing, Frank is penitent – a slightly heavy-handed insistence by the dramatists on the importance of forgiveness. The most ambiguous character of all is of course the satanic talking dog, who either inspires or encourages the chaos that engulfs Edmonton. In the end he is beaten an away by the good-natured simpleton Cuddy Banks – a Bottom-like figure who consorts with demons but can’t be corrupted by them. It is another one of the play’s ironies that the most heroic character is the clown.
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