In any case, as with all good speculative fiction, the world starts to feel more comfortable as you spend more time in it. Particularly liked how ur encouraged to look for clues with a page of silent panels examining a dead body. Like Dr. Watcham, ur trying to second-guess the brilliant detective working in front of you. (I got none of the clues right btw.) On a related note, some of the blocking is inspired. Particularly admire the three-panel zoom thru the motor car window from Watcham to Raker. Also the page of over-the-shoulders that lead to the p.o.v. half-page spread of Raker's study. Very lovely. The artist is someone called Gianluca Pagliarani. He has a very clean unfussy style, and the detail of his crowd-scenes, ships and laboratories is impressive.
I'm no scientist, but the science here is very funky: quantum strings fired thru laptops full of old movies into the brain of Albert Einstein reconfigures reality. Or something along those lines. There's talk of 'haunted meat' -- fiction reshaping fact, characters becoming real people. But the real interest lies in the dynamic between Watcham, Raker and Inanna. Watcham is scarred by his tour of duty, but will live to see his friend taking that experience seriously -- applying his intellect not just to solving crime in London but to international politics and war. Raker makes the choice Veidt refuses to make in Watchmen, putting the personal first, and then trying to salvage what is left of the world. It's a crazy resolution, but an inspiring one as well.
Another Apparat cracker, in other words...
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