Showing posts with label Politics. Show all posts
Showing posts with label Politics. Show all posts

25.4.23

Capitalist Realism

It’s an audacious rhetorical move to blame the failure to conceive of a realistic alternative to capitalism on capitalism itself, although in fairness Mark Fisher doesn’t absolve the anti-capitalist movement of blame either. Fisher’s aim here is to give an account of how the spectrum of political possibility shrunk in the 80s and 90s to exclude alternatives to capitalism, and also identify areas where the workings of capitalism become absurd and unrealistic, as a way to wedge open new possibilities. The second effort is less successful than the first, mainly because there is already a well-established understanding of what “market failure” is and the need for regulation and state provision to correct it, which Fisher doesn’t engage with at all. The problem may be that in adopting Deleuze and Guattari’s expansive definition of capitalism as this all-encompassing and mutable system, the problem becomes so ill-defined as to be impossible to convincingly argue against. Capitalism becomes the evil animating all other evils, and if you don’t already subscribe to this demonology, this book will not persuade you.

Which is a shame, because the two issues Fisher investigates are important. His account of mental health, and particularly the role of social media in making it worse, is prescient. And the distortions created by targets in public services is now well accepted. But politics can confront these problems without demanding the end of capitalism (or to put it in Fisher’s terms, capitalism can metabolise these critiques and neuter them).

It is very telling to me that at the end of the book, Fisher argues for the resuscitation of the concept of the “general will” – as if the conflicts in society can all be resolved if such a thing can be found. In fact, Rousseau, who first suggested the idea, thought it could only be realised in very small republics where everyone knew each other personally, and large states would have to settle for Hobbesian oppression to crush the clashing interests of individuals. In the very last pages Fisher proposes that the question of collective management is to be resolved “practically and experimentally”, when arguably the failure of collective management in the 20th century is the single greatest cause for alternatives to capitalism to appear so unrealistic in the 21st. With that short aside, Fisher skips over the main issue, which is that anti-capitalists have failed to come up with practical way to collectively manage our resources that can convince a large enough majority to try the experiment again.

22.7.22

Whore of New York: A Confession

Whore of New York: A ConfessionWhore of New York: A Confession by Liara Roux
My rating: 3 of 5 stars

Slight but wise. The insight into sex work is interesting, but the book is more affecting and thought-provoking as an account of a collapsing marriage. That relationship was both hurtful and caring in turn, making the dilemma of leaving or staying difficult to navigate. It’s a situation that resonates, leads the reader to reflect on what makes any familial or romantic relationship work in the long term.

View all my reviews

27.12.19

49 books of 2019

Big shout out to the Alzabo Soup podcast which has been the overwhelming influence on my book consumption this year. There's a podcast for everything nowadays, including this one providing extremely close readings of science fiction author Gene Wolfe, a niche I'm thoroughly into. I subscribed after finishing Urth of the New Sun in January, which the podcast has now started covering, so the year has a nice circular feel to it. Wolfe sadly passed away in April, which was a further impetus to get to know his work better.

The podcast spent a few episodes investigating some of Wolfe's influences, which led to me picking up Jack Vance, Ursula K. Le Guin, R.A. Lafferty and G.K. Chesterton. It also meant I was up for reading more old science fiction and fantasy generally (Robert Holdstock, Patricia A. McKillip, a dive into Stephen Baxter's Xeelee books). My job means I'm pretty immersed in the hour-by-hour news agenda, and frankly it's been a relief to escape into alternate or future worlds in my downtime.

I've started to write short 'reviews' (more like notes) on Goodreads, so most of the links point that way. I've also turned out two pieces on comics for the London Graphic Novel Network which I'm pretty happy with.

James A. Harris - Hume: An Intellectual Biography [link]
Ian Morris - Why the West Rules—for Now: The Patterns of History, and What They Reveal About the Future
Damian McBride - Power Trip: A Decade of Policy, Plots and Spin
John Dunn - Western Political Theory in the Face of the Future
David Stubbs - Mars by 1980: The Story of Electronic Music [link]
Dan Hancox - Inner City Pressure: The Story of Grime
Xavier Mendik, Ernest Mathijs - 100 Cult Films
Jean-Yves Berthault (ed.) - The Passion of Mademoiselle S.

Alan Garner - Red Shift [link]
William Gibson & Bruce Sterling - The Difference Engine [link]
Gene Wolfe - The Fifth Head of Cerberus
Gene Wolfe - The Urth of the New Sun
Gene Wolfe - The Best of Gene Wolfe: A Definitive Retrospective of His Finest Short Fiction
R.A. Lafferty - The Best of R.A. Lafferty [link]
Raymond Chandler - The Long Goodbye [link]
Ursula K. Le Guin - The Word for World Is Forest [link]
Jack Vance - Emphyrio
Jack Vance - The Dying Earth / The Eyes of the Overworld / Rhialto the Marvellous [link]
Stephen Baxter - Raft [link]
Stephen Baxter - Reality Dust / Riding the Rock / Mayflower II
Stephen Baxter - Ring [link]
Stephen Baxter - Timelike Infinity [link]
Robert Holdstock - Mythago Wood
Philip Pullman - The Book of Dust vol. 1: La Belle Sauvage
Mervyn Peake - Gormenghast
Patricia A. McKillip - The Forgotten Beasts of Eld [link]
Martin Amis - The Rachel Papers [link]
G.K. Chesterton - The Man who was Thursday: A Nightmare
H. Rider Haggard - She: A History of Adventure [link]

Simon Spurrier / Ryan Kelly / Various - Cry Havoc [link]
Yoshihiro Tatsumi - A Drifting Life [link]
Enki Bilal - Monster [link]
Brian Michael Bendis - Fire
Brian Michael Bendis - Fortune & Glory
Masamune Shirow - Orion [link]
Kazuo Koike / Ryoichi Ikegami - Wounded Man vols. 1 & 2 [link]
Atsushi Ohkubo - Soul Eater vols 1 & 2
Rick Remender / Sean Murphy / Matt Hollingsworth - Tokyo Ghost vols. 1 & 2
Rick Remender / Jerome Opeña / Matt Hollingsworth - Seven to Eternity vols. 1 & 2
Kieron Gillen / Caanan White - Uber Vol. 1
Alan Moore / Eddie Campbell - A Disease of Language
Christos Gage / various - Buffy the Vampire Slayer seasons 11 & 12
Paolo Eleuteri Serpieri - Druuna: Anima
Milo Manara - Gullivera
Francis Leroi / Jean-Pierre Gibrat - Pinocchia
Jean-Pierre Gibrat - Flight of the Raven
Liam Sharp /  Christina McCormack - Cap Stone vol 1: Captain Stone is missing
Osamu Tezuka - Apollo's Song
Naoki Urasawa - Monster vols. 1 & 2

24.12.18

44 Books for 2018

Until October this year I was able to borrow books from Senate House Library, which is one of my favourite buildings in London and a superb academic library. I tried to make the most of it, although apart from a few more accessible history and politics tomes I mostly gravitated towards my usual nerdy interests (Tolkien, anime etc). That accounts for the sheer amount of non-fiction I got through this year – stuff I read in the hope it would make me wiser but then almost immediately forgot. I've determined to read more novels in 2019 – at least the texture of a story stays with you a little bit more, even if the content evaporates.

I tried to think of intelligent things to say about comics this year, and although I managed three columns for the London Graphic Novel Network, I'm not convinced I succeeded. It's a bit of a struggle at the moment to find creators to get excited about, but perhaps that's just a failure on my part to be more curious. I'm hoping that re-reading some of the books that got me into the medium in the first place will kick-start my interest in the new year.

I keep track of the things I read on Goodreads, although I've yet to find the will to do more than assign stars to reviews there. Apart from the comics, the links below are just to snippets I thought were interesting and worth reproducing on the blog, or pretty pics I've taken of the covers to put on Instagram.

Tim Shipman - Fall Out: A Year of Political Mayhem
Tim Bale - The Conservative Party: From Thatcher to Cameron [link]
Harriet Harman - A Woman's Work [link]
Philip Cowley, Rob Ford (eds.) - Sex, Lies and the Ballot Box: 50 Things You Need to Know About British Elections [link]
Simone de Beauvoir - The Ethics of Ambiguity [link]
Sarah Bakewell - At The Existentialist Café: Freedom, Being, and Apricot Cocktails
Anthony Gottlieb - The Dream of Enlightenment: The Rise of Modern Philosophy [link]
Declan Kiberd - Ulysses And Us: The Art Of Everyday Living [link]
Dennis C. Rasmussen - The Infidel and the Professor: David Hume, Adam Smith, and the Friendship That Shaped Modern Thought [link]
Tom Shippey - J. R. R. Tolkien: Author of the Century
Susan J. Napier - Anime from Akira to Howl's Moving Castle: Experiencing Contemporary Japanese Animation [link]
Adam Roberts - Science Fiction
Mark Fisher - The Weird and the Eerie [link]
Pauline Kael - The Age of Movies: Selected Writings [link]
John Mullan - How Novels Work
Paul Addison - Churchill: The Unexpected Hero [link]
Peter Clarke - Keynes: The Rise, Fall, and Return of the 20th Century's Most Influential Economist
Maggie Nelson - The Argonauts [link]
Harold Bloom - The Anxiety of Influence: A Theory of Poetry [link]
Sigmund Freud - Civilisation and its Discontents

M. John Harrison - Viriconium
Jun'ichirō Tanizaki - The Key [link]
Raymond Chandler - Farewell, My Lovely
Anaïs Nin - Little Birds
J.M. Coetzee - Disgrace
Margaret Atwood - Surfacing
Yasunari Kawabata - House of the Sleeping Beauties and Other Stories
John le Carré - The Constant Gardener
Norman Mailer - An American Dream
Chris Mullin - A Very British Coup [link]
Various - Inside And Other Short Fiction: Japanese Women By Japanese Women

Harvey Pekar - American Splendour [link]
Edward Ross - Filmish: A Graphic Journey Through Film [link]
Meg-John Barker,  Julia Scheele - Queer: A Graphic History [link]
Pat Mills / Greg Staples / Clint Langley - Slaine: Lord of Misrule
Garth Ennis / Facundo Percio - Caliban [link]
David Lapham / German Nobile - Caligula vol. 1 [link]
Billy Tucci - Shi: The Way of the Warrior
Randy Queen - Darkchylde
David Wohl / David Finch - Aphrodite IX: Time Out of Mind
Brandon Choi / Jim Lee / J. Scott Campbell – Gen¹³
Fabien Nury / Mathieu Lauffray / Mario Alberti / Zhang Xiaoyu / Tirso - The Chronicles of Legion vols 1-4
Hiroaki Samura - Blade of the Immortal Omnibus 1
D.J. Bryant - Unreal City

25.8.18

"I do not want to see impaired the vigour of competition, but we can do much to mitigate the consequences of failure. We want to draw a line below which we will not allow persons to live and labour, yet above which they may compete with all their manhood. We want to have free competition upwards; we decline to allow free competition to run downwards." - Winston Churchill, speech of 11 October 1906, quoted in Paul Addison, Churchill: The Unexpected Hero

3.3.18

"In Britain at least, changes of government are precipitated not by a burning sense of right and wrong but by a vague feeling that things have gone too far in one direction and that some kind of correction is needed to bring them back into balance. After a while, voters bank the good things that a government has given them and look to the other party to deliver them from the bad things. They got the welfare state from the Attlee government, for instance, but after five years of sacrifice they were longing to do some shopping. They got something like full employment from a series of Labour and Conservative governments but they also got higher taxes and over-mighty trade unions and so turned to Margaret Thatcher. She and John Major sorted out those problems but kept health and education on such short rations that voters in the end elected New Labour, at least in part, to build them back up again. It did so, but did little or nothing to tackle the underlying vulnerabilities of a growing welfare state reliant on an economy built increasingly on debt and immigration, as well as an unwarranted confidence that the good times could ever end." - Tim Bale, The Conservative Party from Thatcher to Cameron

4.1.18

42 books for 2017

I feel like I've read fewer books than last year's mammoth readathon, probably because I've got a new, more exciting, but more exhausting, job, which has meant switching off with a good book has been harder. My commute is also shorter, and you'd be amazed how much that cuts down your daily reading time.

The interest in Japanese literature remains, but this year was dominated by a read through Camille Paglia's Sexual Personae – an outrageous but intriguing survey of western literature. That pushed me on to reading Wilde, Balzac and Baudelaire. Sady Doyle's first book (I'm a long-time fan of her writing) was a necessary dose of common sense after the sustained assault of Paglia's bold theories.

I wish I had read and written more about comics this year – have only managed three or so columns for the London Graphic Novel Network. I now live further away from the libraries that supply my comics obsession, so I'll need to work a bit harder. I also have to fight against the sense that I've read quite deeply into the medium now, and there's fewer things out there that feel fresh and new. Delving further beyond anglophone comics may be the solution to that.

I keep track of the things I read on Goodreads, and there are a few scattered links below where I've bothered to jot down a quote or write about a comic (several of the comic ones link to a great end of year roundup on the London Graphic Novel Network, which I contributed to).

Camille Paglia - Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson
Nick Clegg - Politics: Between the Extremes
Ed Balls - Speaking Out: Lessons in Life and Politics
Edmund Dell - The Chancellors: A History of the Chancellors of the Exchequer, 1945-90 [link]
Ryan Avent - The Wealth of Humans: Work, Power, and Status in the Twenty-first Century
Nick Srnicek / Alex Williams - Inventing the Future: Postcapitalism and a World Without Work [link]
Jonathan Portes - Capitalism: 50 ideas you really need to know
Hattie Collins / Olivia Rose - This Is Grime [link]
Michael Azerrad - Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991
Neil Kulkarni - Eastern Spring: A 2nd Gen Memoir
Sady Doyle - Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why
Catherine Millet - The Sexual Life of Catherine M.
Valerie Solanas - SCUM Manifesto
John Gray - The Soul of the Marionette: A short enquiry into human freedom

Carl Neville - Resolution Way
John le Carré - Tinker, Tailor, Soldier, Spy
Haruki Murakami - The Wind-Up Bird Chronicle
Yukio Mishima - Confessions of a Mask
Oscar Wilde - The Picture of Dorian Gray (uncensored version)
Honoré de Balzac - SarrasineThe Unknown MasterpieceThe Girl with the Golden Eyes
Charles Baudelaire - The Flowers of Evil
Yōko Ogawa - Hotel Iris
Jun'ichirō Tanizaki - Diary of a Mad Old Man
Jorge Luis Borges - Fictions
Kobo Abe - The Box Man
Ursula K. Le Guin - A Wizard of Earthsea

Kazuo Koike / Ryōichi Ikegami - Crying Freeman [link]
Tsutomu Nihei - Knights of Sidonia [link]
Akihisa Ikeda - Rosario + Vampire
Pierrick Colinet / Elsa Charretier - The Infinite Loop [link]
Marjorie M. Liu / Sana Takeda - Monstress vols. 1 & 2 [link]
Fumio Obata - Just So Happens [link]
Usamaru Furuya - Lychee Light Club
Ales Kot et al. - Zero, Vol. 1: An Emergency
Jason Shawn Alexander - Empty Zone vols. 1 & 2 [link]
Brian Wood - Channel Zero
Hubert / Kerascoët - Miss Don't Touch Me vols. 1 & 2
Enki Bilal - The Nikopol Trilogy
Daniel Clowes - David Boring
Joe Sacco - Palestine
Jonathan Hickman / Tomm Coker et al. - The Black Monday Murders, Vol. 1: All Hail, God Mammon [link]
Paul Auster / Paul Karasik / David Mazzucchelli - City of Glass: The Graphic Novel

15.10.17

'For anyone afraid that ignorance renders him ineligible for responsibility, politics is not the right profession.' - Edmund Dell, The Chancellors

27.12.16

46 books for 2016

My annual list of things I've read grows longer again this year, partly because I continue to abjure television and get my fill of visual storytelling through comics. The reason for the preference is mundane – I spend too much of my day in front of a screen and prefer to avoid it in my free time. I may well be missing out. Given the stranglehold superheroes have on the comics medium, and how everyone keeps talking about a golden age of television, my guess is that comics in aggregate may well be less innovative or interesting.

My comics consumption has been further encouraged by my agreeing to contribute columns to the London Graphic Novel Network, an initiative designed to get people to take advantage of the great selection of comics offered by London libraries. I owe my comics enthusiasm entirely to libraries (they are otherwise a very expensive form of entertainment), so this was a no-brainer for me. Links to my bits for the site are collected here.

I've also read quite a lot of Japanese fiction this year – my partner is Japanese, so it has been a way of getting to know the culture in which she grew up. It's a bit of a turnaround for me, as I'd previously avoided reading literature in translation, assuming that too much of the author's technique was lost in the process. I still think that's the case, but what you gain is still a pretty direct insight into a foreign society and history, which is hugely valuable in itself.

A lot of the non-fiction is drawn from recommendations at work (Haidt, Moretti), or following up things from the MA I did six years ago (Ryan, Tully, Geuss).

Ordered (sort of) by subject then preference. Links in the comics section go to things I've written (mostly for the LGGN), otherwise they are quotes I've posted here as I've been reading. I keep track of all this stuff on Goodreads here.

Richard Ellmann - James Joyce [link]
Alan Ryan - On Politics: A History of Political Thought from Herodotus to the Present [link] [link]
Jonathan Haidt - The Righteous Mind: Why Good People Are Divided by Politics and Religion
Ian Buruma - The Japanese Mirror: Heroes and Villains of Japanese Culture
James Tully - An Approach to Political Philosophy: Locke in Contexts
Jared Diamond - Guns, Germs, and Steel: The Fates of Human Societies
Richard Vinen - Thatcher's Britain: The politics and social upheaval of the 1980s
Enrico Moretti - The New Geography of Jobs
Gareth Stedman Jones - Karl Marx: Greatness and Illusion
Michel Foucault - Interviews & Other Writings 1977-84 [link] [link]
Simon Parker - Taking Power Back: Putting people in charge of politics
Hugh Kennedy - The Great Arab Conquests [link]
Ben Thompson - Seven Years of Plenty: A Handbook of Irrefutable Pop Greatness, 1991-1998
J. Hoberman - Film After Film: Or, What Became of 21st Century Cinema?
Jessica Hopper - The First Collection of Criticism by a Living Female Rock Critic
Raymond Geuss - History and Illusion in Politics [link]
James Joyce - A Portrait of the Artist as a Young Man
Ryū Murakami - Almost Transparent Blue
Yasunari Kawabata - Thousand Cranes
Mari Akasaka - Vibrator
Jun'ichirō Tanizaki - Seven Japanese Tales
Ryū Murakami - Piercing
Jun'ichirō Tanizaki - Some Prefer Nettles [link]
Yōko Ogawa - Revenge: Eleven Dark Tales
Kieron Gillen / Jamie McKelvie - Phonogram [link]
Grant Morrison / Chris Weston / Gary Erskine - The Filth [link]
Warren Ellis / Jason Howard - Trees, Vol. 1: In Shadow [link]
Hayao Miyazaki - Nausicaä of the Valley of the Wind
Greg Rucka / Michael Lark / Santi Arcas - Lazarus
Matt Fraction / Christian Ward - Ody-C vols. 1 & 2 [link]
Gail Simone / Walter Geovani - Red Sonja [link]
Kazuo Koike / Ryōichi Ikegami - Offered
Magnus - The 100 Pills
Paul Pope - 100% / Heavy Liquid [link]
Jonathan Hickman / Ryan Bodenheim - Red Mass for Mars
Jonathan Luna / Sarah Vaughn - Alex + Ada [link]
Kieron Gillen / Ryan Kelly / Jordie Bellaire - Three [link]
Matt Fraction / Howard Chaykin - Satellite Sam vols. 1 & 2 [link]
Ben Gijsemans - Hubert [link]
Kentaro Miura - Berserk vol. 1
Sean McKeever / Brian Fraim - The Waiting Place vol. 1
Kelly Sue DeConnick / Emma Ríos - Pretty Deadly, Vol. 1: The Shrike
Rick Remender / Wes Craig / Lee Loughridge - Deadly Class, Vol. 1: Reagan Youth
Mark Waid / Minck Oosterveer - The Unknown
Grant Morrison / Yanick Paquette / Nathan Fairbairn - Wonder Woman: Earth One
Bryan Lee O'Malley - Seconds

28.4.16

"One difficulty in understanding just what Marx thought a society based on rational cooperation might look like is his insistence that there would be no sacrifice of individuality when we all contributed as we should to the productive efforts of us all. The thought seems to be that we so internalize the desire to do what we rationally must do for the benefit of the whole community that we feel no tension between our desires and the community's needs. This is either implausible or alarming; it is at least very hard to believe that work as the free expression of our creative natures will always coincide with work as our optimal contribution to the rationally organised productive mechanism that underpins our society.

...

"Full socialism imagines a form of collective economic rationality that makes sense only with an omniscient and omnipotent directing intelligence at the heart of the economy, and imagines that intelligence replacing the coercive apparatus of law and government; that comes close to self-contradiction, and if it did not, it would still presuppose an unlikely degree of spontaneous consensus on the merits of a central plan" - Alan Ryan, On Politics: A History of Political Thought from Herodotus to the Present

5.4.16

"...whereas Aristotle thought man was a political animal intended by nature to live in a polis, Hobbes was a thoroughly modern thinker who repudiated the idea that nature had any purposes for us whatever, and emphasised that we were driven into political society. The consequence is that for Hobbes it is no loss if we live wholly private lives and take no interest in politics, while for Aristotle it would be a truncated existence suited to women and slaves but not to citizens" - Alan Ryan, On Politics: A History of Political Thought from Herodotus to the Present

18.2.16

"The real difficulty with anarchism is not with its philosophical, but with its real-life form. It is not that people are convinced of the philosophical validity of arguments for the obligation to obey the state, but rather that no one really believes we can now do without something like the state structure. Or rather people imagine that the attempt to do away with the state would lead in one of two directions. The first possibility would be a form of society that would be highly dangerous, unpredictable, and insecure, and would lack many of the economic advantages developed industrial societies have. The only alternative would be a society that would be highly repressive because organised into claustrophobic small groups, and in which one would have the unpleasant sense of living in the unventilated atmosphere of a Jane Austen novel all the time." - Reymond Geuss, 'The Legitimacy of the State', History and Illusion in Politics

28.1.16

"We have to transform the field of social institutions into a vast experimental field, in such a way as to decide which taps need turning, which bolts need to be loosened here or there, to get the desired change; we certainly need to undertake a process of decentralisation, for example, to bring the decision-making centres and those who depend on them closer, thus avoiding the kind of grand totalising intergration that leaves people in complete ignorance of what is involved in this or that regulation. What we have to do then is to increase the experiments wherever possible in this particularly interesting and important area of social life, bearing in mind that a whole institutional complex, at present very fragile, will probably have to undergo a restructuring from top to bottom." - Michel Foucault, 'A Finite Security System Confronting an Infinite Demand', Interviews and other writings 1977-1984

7.12.15

"...if now suddenly the Weltanschauungs politicians crop up en masse and pass the watchword, 'The world is stupid and base, not I,' 'The responsibility for the consequences does not fall upon me but upon the others whom I serve and whose stupidity or baseness I shall eradicate,' then I declare frankly that I would first inquire into the degree of inner poise backing this ethic of ultimate ends. I am under the impression that in nine out of ten cases I deal with windbags who do not fully realize what they take upon themselves but who intoxicate themselves with romantic sensations. From a human point of view this is not very interesting to me, nor does it move me profoundly. However, it is immensely moving when a mature man – no matter whether old or young in years – is aware of a responsibility for the consequences of his conduct and really feels such responsibility with heart and soul. He then acts by following an ethic of responsibility and somewhere he reaches the point where he says: 'Here I stand; I can do no other.' That is something genuinely human and moving. And every one of us who is not spiritually dead must realize the possibility of finding himself at some time in that position." - Max Weber, Politics as a Vocation

30.11.15

"Far from retreating like some giant snail behind an electronic shell, the United States should be devoting a larger percentage of its vast resources to making the world safe for capitalism and democracy... [T]hese are not naturally occuring, but require strong institutional foundations of law and order. The proper role of an imperial America is to establish these institutions where they are lacking, if necessary – as in Germany and Japan in 1945 – by military force... The reasons this will not happen are threefold: an ideological embarrassment about being seen to wield imperial power; an exaggerated notion of what Russia and China would do in response; and a pusillanimous fear of military casualties. Perhaps that is the greatest disappointment facing the world in the twenty-first century: that the leaders of the one state with the economic resources to make the world a better place lack the guts to do it" - Niall Ferguson, The Cash Nexus: Money and Politics in Modern History 1700-2000

19.9.15

"Negative capitalism can be undone. It will lead to a greater disruption of social life and a period of civil war initially, but the history of human societies demonstrates that cultures are neither 'bad' nor 'good', as many moral critiques or defences of capitalism assume. Humans are not just dupes pre-programmed by genetics to conquer and destroy. Following chaos or trauma such as any major war, people do work together to solve problems collectively and generate new social and economic relations." - J.D. Taylor, Negative Capitalism: Cynicism in the Neoliberal Era

14.9.15

House of Cards

The 1990 BBC version, that is. Was spurred to watch it by the boys at Kraken, who were rather taken with how deliciously evil the protagonist is. It wouldn't be fair to tar all Tories with the Urquhart brush, however (as their question cheekily suggests). The man is clearly a caricature from the moment he puts on a fake mustache (although the boldness of Mattie's murder at the end did catch me unawares). The show succeeds in spite of the silly stuff. Some of the shenanigans, particularly the way leaks and briefings to the press are used in internal party struggles, ring true. With Corbyn having to pick his way through a nest of vipers in the Parliamentary Labour Party, we may be seeing more such behaviour in the coming months...

Mattie's conspiracies are unbelievable because her editor is right (in the real world, if not in the world of the TV series) – politics isn't as exciting as sex, drugs and murder. Most of the time it's about pale old men struggling to unpick Gordian Knots of policy in a way they can advertise to their constituents and the party leadership. Urquhart's skulduggery would not work now, and I doubt it would have worked in 1990 either.

Urquhart is a pure Machiavel. The deputy editor of the Chronicle describes him as a politician without politics – appealing because of his character rather than his policies. He is all things to all men – able to shapeshift as circumstances dictate. He is the embodiment of Machiavelli's virtuoso, bending to the winds of fortune as he navigates towards his goals. The audacity with which he weaves his plots, and the way he co-ops the audience to root for him, is proof of Machiavelli's perception that there is glory to be found in cruelty and fear.
"Economists inhabit a rather chilling world in which people act only on their rational self-interest. Fortunately, our actual world is often more generous-spirited – hence mutual regard – but the implications of brute rational self-interest cannot be lightly dismissed" - Paul Collier explaining 'moral hazard' in Exodus: Immigration and Multiculturalism in the 21st Century

2.8.15

Paradise Lost

Harold Bloom is onto something when he describes how Paradise Lost reads today like science fiction. A lot of that is down to Milton's distinctively monist cosmology. For him, Heaven and Hell are not in separate parallel dimensions. He believed that if you get in a rocket and went past the solar system you will eventually hit the pearly gates. Angels are physical space-faring beings that eat food and excrete through their pores. God is an awesomely powerful alien. Imagine a benevolent Galactus sitting at the top of a giant mountain.

And what's interesting for the purposes of the poem (which the beginning makes clear is to explain the ways of God to men) is that our universe was not created ex nihilo. Rather, God fashions it using pre-existing materials. Philip Pullman may have fixated on these world-building elements because they indicate some limit on God's jurisdiction. The poem personifies Chaos as a grumpy grandpa enduring chunks of his realm being annexed by his more powerful neighbour, who builds Hell and then our world during the course of the narrative (and presumably Heaven as well before the action starts). So what if these materials exist independently of God? What if other awesomely powerful space aliens have built their own worlds?

Since Blake and the Romantics, it has been all too easy to get carried away with Satan and presume some subconscious subversion on Milton's part. On this re-read I did my best to stick to my university training and take Milton at his word, without being seduced by Straussian attempts to read between the lines. Fact is Milton was a deeply pious man trying to explain the problem of evil – an insoluble theological puzzle if ever there was one. What was important for Milton was that God freely chose to create – to share the universe with others. Likewise he left his creation enough freedom to dissent from his overwhelmingly obvious and necessary lordship. Although foreseeing the Fall, he allows it without interfering, preferring devotion that is freely chosen rather than mandated. The link with Milton's political liberalism comes through at the end, where he condemns religious persecution and a politicisation of religion that leads to citizens performing empty rites that do not express their internal convictions. The only royalty Milton submits to is God – kings are but men, and removable if necessary.

All that said, for me there remains an impression of God as a limited figure. He creates angels and then realises he needs the Son as a bridging device that will allow them to more closely identify with him (the Son will later fulfil a similar purpose for humanity). Needless to say, the plan backfires spectacularly. Adam and Eve are created in God's image, but they (like the rebel angels) are in some respects pre-fallen. Eve's pride leaves her open to temptation, like Satan. Milton is at pains to point out that Adam has all the knowledge he could possibly ask for and yet he still eats the forbidden fruit. God does not seem to have a grip on his creation – it spins away from him. His dark materials are wayward elements. There is still a little bit of Chaos in them. We're not too far away here from the atomistic 'mechanical' view of the universe that will become ever more prevalent during the Enlightenment.

18.3.15

'The same poverty then extends over human life as extends over the countryside if the weather is overcast. Overcast weather, when the sun is filtered by the clouds and the play of light goes dim, appears to "reduce things to what they are". The error is obvious: What is before me is never anything less than the universe; the universe is not a thing and I am not at all mistaken when I see its brilliance in the sun. But if the sun is hidden I more clearly see the barn, the field, the hedgerow. I no longer see the splendor of the light that played over the barn; rather I see this barn or this hedgerow like a screen between the universe and me.' - Georges Bataille, The Accursed Share