Doll House | Hot House

Ideas in previous Antonioni films reappear here as echoes of past achievements. Perhaps the problem is Tomás Milián, who just isn't as e...

"Neither lucidity nor clarity can be counted among my qualities", says Antonioni when talking about this film. Yes, fine, but this...

Having watched through the four films with Monica Vitti , Blow-Up feels like the most straightforward Antonioni film I've seen. It h...

Antonioni may be inspired by Camus, but the beginning of this film feels more like Beckett. There is a sense of entropy and the absurd in t...

Antonioni's first colour film is a visual treat. Industrial structures are composed into symphonies towering above Monica Vitti – the pr...

Having admired the formal ingenuity and compositional beauty of Antonioni's The Night , I thought I'd give the first of his trilogy...

I'm part-way through Mark Cousins' The Story of Film: An Odyssey (very impressive, if occasionally exasperating). Michelangelo Anto...